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"Michaeledes opts for poetry rather than politics when making a hearty declaration of independence from anaemic bureaucracies designed to drown human experience in redundant activity and obscure, meaningless, details.
With close relational ties to the geographies and cultures of France, Greece, Italy and Cyprus, Michaeledes seems particularly immune to nationalising art history politics - the politics of the grinding image machine. His colours are pungent, limpid and fresh. His soft geometries are neither conceptualist studies of next year's fashion trends nor scientific anologies to biblical tales."

M. A. Greenstein - Los Angeles 1966
AICA (International Association of Art Critics)

©2002 Pindaros Michaeledes. All rights reserved.